Contents:
The Not-So-Hard Truths of Photography, or, Exposing the Untruths of Photography
Agnes Neier, Nancy Pedri
1-10
Pratiques artistiques et usages dialectiques de la photographie dans la médiation de l’image
Alice Gerosa
11-25
From the Proliferation of the Photographic to the Nullification of Truth. Personal and Commercial Narratives of Travel in Britain, 1890s-1930s
Sara Dominici
26-43
What/Which Truth? Photography and Photojournalism in the Soviet Union
Jessica Werneke
44-62
On (Un)Truths of Photography. A Discussion with Photographer and Visual Artist Richard-Max Tremblay
Richard-Max Tremblay, Nancy Pedri
63-81
Various Articles
Beyond the hegemony of thought and the hedonism of perception.
The study of discourse and affect in Gabriel Josipovici’s Contre-Jour: A Triptych after Pierre Bonnard
Magdalena Sawa
82-96
Thème du texte et du film : les réécritures étagées de Claude Ollier
Jan Baetens
97-103
“Superhero City:” A Comic Book Reader’s Autoethnography
Jason D. DeHart
104-113
Review Articles
American Pop Art in France: Politics of the Transatlantic Image
Jan Baetens
114-115
Entre livre et terrain : photographier Saint-Étienne
Jan Baetens
116-117
Experimentation and the Lyric in Contemporary French Poetry
Gaëlle Théval
118-121